I love classical music, but I am woefully ignorant of it (hence Herr WMFH’s Music Appreciation class. Hey, it isn’t all about me being a man crazy nympho!) I am one of those hunt and peck classical fans. I listen to things I like, follow the recommendations on eMusic (I hate iTunes, they are overpriced and draconian in their restrictions), and generally just try to find things that work for me. I used to buy albums (that’s vinyl LPs, kiddies) at used record stores just to try things out. I have no idea if what I am listening to is considered “good”, I just know I like it. I tend to like Beethoven for symphonies and Wagner for opera. Chopin gives me serious girl wood. Literally, listening to Chopin physically turns me on, I’m not kidding. I recently discovered Faure’s Requiem and fell in love with his shimmering, icy, angelic beauty. I have a total crush on Gustav Mahler, his music has this brilliant awkwardness to it, as if he’s a brooding teenager who desperately wants to say something profound but it never comes out right. And people can smack talk Sarah Brightman all they want, she has an incredible voice and flexibility, I don’t care if she was a disco biscuit in her day.
After memorizing (and now being able to recite from memory, thank you very much) “Der Erlkönig”, my next German conquest is learning to sing “Ode an die Freude” from Beethoven’s 9th. Unfortunately, because I was always stuck in the 1st tenor section in choir that’s all I can manage to sing in a choral situation (I’m actually a Dramatic Mezzo Soprano, but I project best in my lower register. When I was singing daily my voice was like a weapon: strong, loud and powerful. Sadly, I am completely tone deaf and lack the precision to actually do anything with it. In other words, I’m a total Ethel Merman).
Most Played Classical Tracks This Week
Tristan & Isolde: Isoldes Liebestod – Richard Wagner
A Village Romeo and Juliet: The Walk to the Paradise Garden – Frederick Delius
Lohengrin Prelude to Act III – Royal Philharmonic/Richard Wagner
Polonaise No. 6 in A flat major, Op. 53, “Heroic” – Chopin
The Flower Duet (Lakmé) – Leo Delibe
Lieder eines fahrenden Gesellen: Ging heut morgen übers Feld – Gustav Mahler
3 Gymnopedies: 1ere Gymnopedie. Lent et douloureux – Erik Satie
Messe Basse – Kyrie eleison – Gabriel Fauré
Berceuse in D flat major, Op. 57 – Chopin
Hungarian Dances, WoO 1: No. 1 – Johannes Brahms
O Mio Babbino Caro – Maria Callas/Puccini
Finlandia: Op. 26 – Jean Sibelius
9th Symphony (Choral) – Ludwig van Beethoven